Rachel O’Reilly in conversation with Denise Ferreira da Silva
Rachel O’Reilly and Denise Ferreira da Silva have have had long-standing exchanges on the many concepts and references that run through the Gas Imaginary project. In this conversation, they address the development of The Gas Imaginary and the language of capitalization in regards to land, settler conceptualism, and the violent movement of land to forms of property and sites of speculation-based capital.
Denise Ferreira da Silva’s academic and artistic work address the ethico-political challenges of the global present. Her publications include Toward a Global Idea of Race (University of Minnesota Press, 2007), A Dívida Impagavel (Oficina da Imaginaçāo Política and Living Commons, 2019), Unpayable Debt (Stenberg/MIT Press, forthcoming) and as co-editor with Paula Chakravartty, Race, Empire, and the Crisis of the Subprime (Johns Hopkins University Press, 2013). Her artistic practice includes filmworks Serpent Rain (2016) and 4Waters-Deep Implicancy (2018), in collaboration with Arjuna Neuman; in addition to the ongoing relational project, Poethical Readings and Sensing Salon, in collaboration with Valentina Desideri. She is a professor and Director of the Institute for Gender, Race, Sexuality and Social Justice at the University of British Columbia.
Rachel O’Reilly in conversation with Tania Willard and Kanahus Manuel, moderated by Denise Ryner
In this panel, Rachel O’Reilly, Tania Willard and Kanahus Manuel—with moderation by Denise Ryner of Or Gallery—discuss the ongoing challenges of asserting land rights and the protection of water from each of their respective contexts. The speakers address the role of artistic practices and visual culture in making such struggles resonate with communities, both at home and across distance.
Tania Willard, Secwepemc Nation, works as an artist and curator within the shifting ideas of contemporary and traditional as it relates to cultural arts and production. She often engages bodies of knowledge and skills that are conceptually linked to her interest in intersections between Aboriginal and other cultures. Her curatorial work includes Beat Nation: Art Hip Hop and Aboriginal Culture, a national touring exhibition first presented at Vancouver Art Gallery in 2011 as well as residencies at grunt gallery and Kamloops Art Gallery. She is currently assistant professor in Creative Studies at University of British Columbia Okanagan (Kelowna BC). She also founded and operates BUSH gallery, a conceptual space for land-based art and action led by Indigenous artists.
Kanahus Manuel belongs to the Secwepemc Nation and founded the Tiny House Warrior movement as part of her ongoing work as an Indigenous water and land defender. She is also a member of the Secwepemc Women’s Warrior Society. Her family has led the struggle for rights and sovereignty in Secwepemcul’ecw (territory of the Secwepemc people) for generations. Her late father Arthur Manuel, a former Secwepemc chief and residential school survivor, was an author and global champion for Indigenous rights and title in Canada and abroad. Her late grandfather George Manuel was the second president of the National Indian Brotherhood (now the Assembly of First Nations) and founding president of the World Council of Indigenous Peoples.
Support the causes discussed in this talk!
The Tiny House Warriors: Our Land is Home is a part of a mission to stop the Trans Mountain pipeline from crossing unceded Secwepemc Territory in British Columbia. Ten tiny houses will be built and placed strategically along the 518 km Trans Mountain pipeline route to assert Secwepemc Law and jurisdiction and block access to this pipeline.
Seed is Australia’s first Indigenous youth climate network. The organisation is building a movement of Aboriginal and Torres Strait Islander young people for climate justice with the Australian Youth Climate Coalition. Their vision is for a just and sustainable future with strong cultures and communities, powered by renewable energy.